Sunday, April 23, 2006

THE CASHORE MARIONETTES

A PAGE Series Event
Page Theatre - Saint Marys University

This was a phenomenal program! Only a little more than an hour in length, but Joe Cashore is truly a remarkable puppet-master! My entire family was completely enthralled with this, even though the show is not considered to be for young children.

It's hard to pick a favorite piece that he performed, but I'd lean toward the last puppet, which climbed up the puppet-master himself and settled on his arm. Top do this, the master had to work the controls from up above and behind his head. Incredible!!!

Go see this show if at all possible!

Thursday, April 06, 2006

MICHAEL COOPER: MASKED MARVELS AND WONDERTALES

A PAGE Series Event
Page Theatre -- Saint Mary's University, Winona, MN

A master mime and mask-maker entertains with a series of skits, sketches, and vignettes.

This was a fantastic show. What an artisan! Cooper clever opened his show with a mime piece that had him wearing an over-sized baby-head mask. Half-way through the selection, he opened the baby mask (which then, swadled, became the baby) to reveal an old man mask.

Other sketches included a cowboy taming a horse, his impression of various animals (some with and some without masks), a fish fishing for a human, an audience participation piece in which he taught some children how to look like they were going down (and up) on an elevator and on stairs, and a coup de gras with a story about a dancing troll, in which he danced in stilts, wearing a troll mask and costume.

My children were completely entralled by this show, and my wife and I thoroughly enjoyed it as well.

I had two, small, reservations about the show. First, I did feel that Mr. Cooper worked a little too hard to try to get some reaction and enthusiasm out of the stodgy, mid-western, Scandinavian-descendant audience. We're generally a pretty reserved bunch, so trying to get us to yell out comments during a show goes against our nature. It seemed as though his show is geared toward trying to get the audience to "ask" for things, which we generally just don't do.

And some times I thought his miming, while certainly competent, was less than spectacular -- specifically his mime of sitting in a chair. Hey...I understand the whole aging/weak knees thing, but if you can't get your butt a little more parallel to the floor, then I'm not going to buy that you're sitting in a chair. The first time he did it, I wasn't even sure that's what he was miming.

Still...a really tremendous show, with a hearty two thumbs up from me!

Wednesday, April 05, 2006

MANY MOONS -- Winona State University

by Charlotte Chorpenning
based on a story by James Thurber
1 hour long children's play
directed by Vivian Fusillo

A Princess is ill , and only her heart's desire will make her well. The three wisest men in the kingdom can't fulfill her heart's desire, but the simple Jester can.


It's so hard to speak ill of anything directed by Vivian, one of my favorite instructors and directors of all time, but this play just fell flat -- it did not keep the interest of the kids in the audience.

There is a nice story in there, but it got lost somehow. Fifth graders were commenting that it was hard to follow, so I can only imagine what the younger grades thought.

I'm not sure if it was the staging or the iritating, incessant music that followed each character on, but the story was lost. It was never absolutely clear that the Jester was smarter than the three wise men in figuring out how to please the Princess. And the Jester was wiser because he would simply ask the Princess rather than trying to decide what she might want.

Instead, this became a play about silly walks and leaps, constant sound, and affected speech, none of which had anything to do with the actual story.

The problem, I think, is that there was no build to the story. Everything was at one pace -- so much so that when we should have been listening to the coniving and plotting, we weren't (which is why it was hard for the 5th graders to follow) -- so much so that the ending swept in so quickly that we didn't know it was done until the cast started to bow.

Oh how my heart aches to see a Vivian play not be a remarkable work of art. The costumes, the set, the leaping and silly walks, the affected speech, are all trademarks of a fantastical Vivian show, but I've always thought she new how to pace well, too.

Not a recommended play.